Tuesday, October 15, 2019

2019臺北國際現代音樂節 Taipei International New Music Festival

2019臺北國際現代音樂節
單簧樂器篇:2019年10月26日(六)晚7:30
作曲/鋼琴篇:2019年10月27日(日)午2:30

地點:十方樂集音樂劇場(臺北市大同區民族西路187巷4號)

購票請洽:兩廳院售票系統 http://bit.ly/2019_TINMF (02)3393-9888 及各大便利超商。兩廳院之友購票9折;身障者及必要陪同者一名5折。全票 500元、學生票 400元;兩場套票 700元。

2019 Taipei International New Music Festival
#1 Single-Reed collection: Saturday, October 26, 7:30 pm
#2 Composer / Pianist: Sunday, October 27, Sunday, 2:30 pm
at Forum Music Auditorium recital hall (No. 4, Ln. 187, Minzu W Rd, Taipei, Taiwan)

Ticket available via ArtsTicket http://bit.ly/2019_TINMF
Ticket Price: TWD 500 / concert
Discount: Student 20% off, 30% off for 2 concerts


2019年臺北國際現代音樂節,以「競奏、翻轉」為主軸,藉由獨奏樂器的親密對話,企圖開啟作曲家、演奏家及觀眾之間更為多元的交流。兩場音樂會分別委託三位會員作曲家:邱妍甯陳立立邱浩源譜寫新曲,並於創作時和演奏者密切合作、溝通,期能為單簧管、薩氏管與鋼琴三種獨奏樂器發展新風味。

「單簧樂器篇」由中華民國現代音樂協會兩位演奏家會員─長期致力於現代音樂演奏的薩克管演奏家顧鈞豪,和近來於現代音樂演奏上頗受注目的單簧管演奏家高承胤各演出半場音樂會。除兩位演奏者親自挑選、安排的作品外,本會同時委託邱妍甯及陳立立兩位作曲家會員為兩位演奏者量身寫作新曲,於音樂會中發表。

「作曲/鋼琴」將翻轉作曲家的角色,創造另一種對話的方式。由中華民國現代音樂協會之作曲家會員:林桂如、陳宜貞、周久渝邱浩源,以作曲者的角度詮釋多首鋼琴獨奏作品。音樂會除了由作曲家親自演奏自己的作品,作曲家也挑選自己屬意的現代鋼琴獨奏作品,並詮釋協會其他作曲家的投件作品。此外,協會也委託邱浩源為音樂會譜寫新作,並由作曲家本人擔綱演出。除了期望能帶來更多樣現代鋼琴獨奏作品,也讓與會者得以用另一種頻道,一窺作曲家對音樂的思考。

演出人員及曲目:
20191026日(六)晚7:30 單簧樂器篇 *購票連結
薩克管 / 顧鈞豪、鋼琴 / 陳怡安
單簧管 / 高承胤、鋼琴 / 翁重華

薩克管半場之曲目:
Bruno Mantovani (1974) : L’incandescence de la bruine pour saxophone soprano et piano (1997)
許德彰 (1983) : 52 Matches in the Dark for alto sax (2011)*
李元貞 (1980) : Tell(告)for solo alto saxophone (2018)*
邱妍甯 (1988):萬花競放(委託創作,世界首演)*

單簧管半場之曲目:
劉韋志 (1985):紋I:星芒的剪影 (2012)
董昭民 (1969):于喁 (2001)
Isang Yun (1917-1995): Monolog for bass clarinet (1983)
Alban Berg (1885-1935): 4 Studies for clarinet and piano, Op. 5 (1913)
陳立立 (1985):Be Flower, Be Water(委託創作,世界首演)*

薩克管與單簧管二重奏:
Roshanne Etezady (1973): Glint (2007)


2019年10月27日(日)午2:30 作曲/鋼琴篇  *購票連結
林桂如:
Helmut Lachenmann (1935 ): Ein Kinderspiel (1981) 
林桂如 (1976):小星星幻想曲 (2019,世界首演)*

陳宜貞:
Alfred Schnittke (1934-1998): 5 Aphorisms for Piano, No. 1 Moderato Assai
陳宜貞 (1977):迷離之鏡 (2016)

周久渝:
Richard Whalley (b.1974): Butterfliesfor solo piano  (2012)
周久渝 (1981):流漾 (2012)

邱浩源:
Laurent Durupt (1978) : Interdite au mineur (2017)
邱浩源 (1981):說吧,海(委託創作,世界首演)*

*表臺灣首演

Wednesday, June 19, 2019

2020年世界音樂節徵曲/2020 WMD Call for Scores

2020 年 ISCM World Music Days 徵曲開始囉!

會內徵曲截稿日期:2019 年 7 月 10 日(需為已繳會費之會員)
個別送件截稿日期:2019 年 7 月 31 日 23:59 Central Europe Summer Time

個別送件報名費:53.5 Euro

會內徵曲報名表下載連結
2020 ISCM WMD官方網站:http://canz.net.nz/iscm-wnmd-2020/

【理事長的話】

2020 年 ISCM 世界音樂日 (World Music Day) 將於 4 / 21 - 30 於紐西蘭奧克蘭和基督城舉行。附件為 2020 WMD Call for Works,請有意投件的會員於 7 / 10 前,填妥附件報名表,連同完整樂譜 PDF 電子檔(含編制表)Email至:iscmtwinfo@gmail.com 之後將由理事長召集選曲委員會,自會員投件中選出六件代表臺灣作品,呈交總會審查。

*每名會員每一類僅能投一件,總投件數最多三件。
*青年作曲獎:現行獎金 2000 歐元,並可能提高至 5000 歐元!請 35 歲以下青年作曲家踴躍投稿。
(ISCM 青年作曲獎非獨立徵曲類別。各類別入選作品如為青年作曲家所作,即為青年作曲獎候選作品。)


【徵件類別】

1. Piano plus
  • 1a) Solo piano
  • 1b) Solo piano (prepared)
  • 1c) Solo piano with fixed audio media
2. Violin plus
  • 2a) Solo violin / viola
  • 2b) Violin or viola, and piano
  • 2c) Violin or viola, and percussion (1 player: glockenspiel, vibraphone, pr bongos, suspended cymbal, large tam-tam, kick drum, concert bass drum, triangle, woodblock, cowbell and auxiliary percussion or found objects that would fit on a trap table) 
3. Percussion plus
  • 3a) Percussion (solo performer) - glockenspiel, vibraphone, pr bongos, suspended cymbal, large tam-tam, kick drum, concert bass drum, triangle, woodblock, cowbell and auxiliary percussion or found objects that would fit on a trap table.
  • 3b) Percussion (solo performer) with electronics. Percussion instruments as above.  Electronics: Roland SPD-SX, Laptop with RME UFX interface, Ableton Live, Protools, Logic, Max, or other electronics if the composer supplies the necessary software/components. Ideally, the set-up will be relatively simple. Quad speaker arrangement is possible.
4. Taonga Puoro plus
  • Taonga puoro soloist, with/without flute/piccolo soloist (information sheet available)
5. Piano Trio
  • Violin, cello, piano
6. String Quartet
  • 6a) String quartet
  • 6b) String quartet with fixed audio media
  • 6c) String quartet with percussion (1 player: glockenspiel, vibraphone, pr. bongos, suspended cymbal, large tam-tam, kick drum, concert bass drum, triangle, woodblock, cowbell and auxiliary percussion or found objects that would fit on a trap table)
7. Small Ensembles 
Works for all or some of the following instruments:
  • 7a) harp, percussion and double bass
  • 7b) Saxophone, trombone, piano and double bass
  • 7c) Clarinet, saxophone, trumpet, trombone and percussion(1)
  • 7d) Flute/piccolo, oboe and violin
8. Medium Chamber Ensemble
  • Works for 3–8 players, instruments drawn from the following list: flute, oboe, clarinet, saxophone, trumpet, trombone, percussion(1), piano, violin, double bass
9. Youth Orchestra
  • 5 - 7 minute works written for Youth Orchestra, players aged 14 - 24 years
  • 3 fl (III=picc). 3 ob (III=corA).  3 cl (III=bcl). 3 bn (III=dbn) - 4 hn. 3tpt. 2 trbn. 1 btrbn. 1 tuba - 5 perc. 1 timp. pft. - full strings
10. Orchestra
  • 3 fl (II=picc, III=picc,afl). 3ob (III=corA). 3cl (III=bcl). 3 bn (III=dbn). - 4hn. 3 tpt. 2trbn. 1 btrbn. 1 tuba - 3 perc. 1 timp. 1 hrp - full strings
11. Choir
  • A capella choir – SATB, SSATB, or SSA (no divisi) 
12. Electroacoustic
  • 12a) Electroacoustic music for fixed media, with up to 8 channels
  • 12b) Works involving live electronics, with up to 8 channels
Speakers are normally positioned as an 8.1 system in a semi-circular array. There is also the possibility of some upper reinforcement from a trio of hanging speakers.
Single screen video is also possible in conjunction with the above.

Works of up to 20 minutes in duration may be considered in this category.

13. Composer-Performer
  • Open to composer-performers who work with an expanded approach to composition, artists engaged with the practice of researching and developing new compositional and performative tools which may work in an intersection of the physical, theatrical and visual. This may include performers exploring creation, composer-performer collectives, non-Western instruments, found/built instruments, electronics and extra-musical elements. Composer-Performers are required to bring all necessary materials for the performance, including their own computer with all software and additional hardware as well as all props and any other necessary materials.
  • Please submit an artist CV in English (up to 2 pages), .pdf description of the work (500 word max), a video of the composer-performer’s work, and a technical rider for the performance.
Works of up to 20 minutes in duration may be considered in this category.

14. Improvising Ensemble
  • Open to composers-improvisers who may wish to perform with local improvisers (violin, saxophones, percussion and/or keyboards). Composers are requested to send some demo material.
15.  Audiovisual and Installation Works
  • For gallery/exhibition presentation (i.e. non-concert presentation). Some installations may be positioned in an outdoor environment. Preference will be given to works that bear some relationship to the theme of Music Ecosystems.
  • Please submit an artist CV in English (up to 2 pages), .pdf description of the work (500 word max), a list of equipment and installation materials, and online support material (2 examples of work). Short-listed applicants will be contacted for additional materials.
Works longer than 12 minutes will be considered in this category.


Information required for each Work to be submitted includes:
  1. The composer’s personal and contact information: Given names; Family name; Name as it should appear in the programme; Date of birth; full Mailing address; Gender; Phone no.; email address; website (if applicable).
  2. Work information: Title; Submission Category; Accurate duration; Year of composition; Statement of whether the work has been previously performed.
  3. The score (.pdf document preferred), or audio/video documentation if the work does not have a written score - as described in the Work Categories.
  4. An audio or video recording of the work (if available).
  5. Program notes for the submitted work in English (maximum 100 words).
  6. Technical rider specifying all equipment necessary to perform the work.
  7. Short biography of the composer in English (maximum 100 words).
  8. High-resolution digital photograph of the composer.
     

Thursday, September 7, 2017

2017臺北國際現代音樂節即將於國家演奏廳舉辦
喜愛現代音樂的朋友不可錯過喔~
購票請至:https://goo.gl/zbVVmw

Tuesday, June 7, 2016

瑞士二人組「當代音樂劇場工作坊」開放報名中(已截止)!Workshop with UMS'n JIP!

ISCM-TAIWAN邀請到瑞士知名演奏團體「UMS'n JIP」來台進行「當代音樂劇場工作坊」,內容主要是對當代音樂劇場常使用到的人聲(Baritone)與樂器(Recorder)之陌生化聲響與特殊音色,進行演奏上的說明與示範,現場除了講解外,亦會演奏當代作曲大師(如:KagelArgeStockhausen,郭文景等)特別為他們量身打造的經典曲目。

時間:6/15, 16(週三~四)晚上7-9
地點:國家音樂廳排練室(三)


同時,2016臺北國際現代音樂節亦將同步徵選為「UMS'n JIP」特別創作之獨奏或二重奏曲目,於今年的臺北國際現代音樂節中由UMS'n JIP二人親自演出。

歡迎大家一同共襄盛舉創造新聲音~

工作坊費用:
現代音協會員:免費
其他人士:NT 100

點我,預約報名:https://goo.gl/UDtPmF



2016臺北市立國樂團國際作曲大賽 / Taipei Chinese Orchestra International Composition Competition

2016TCO國際作曲大賽簡章公告

為鼓勵國際優秀作人才投入國樂合奏曲的創作,將於2016舉辦國際作曲大賽,中英文簡章、報名表及其他樂譜編制說明請點選TCO官網連結,歡迎青年作曲家踴躍參與。

報名截止日期:2016年7月29日
複賽:2016年10月19日
決賽:2016年10月21日